Perhaps the most prestigious film festival on the planet has a not so secret reputation for rowdy audience behavior. If the crowd doesn’t like a film at the Cannes Film Festival, get ready for a chorus of boos—or at least that was the case for most of the festival’s storied history. Dozens of films have been heckled, walked out of, or even protested, but this trend seems to have cooled off in recent years in favor of coverage for the length of standing ovations. In this series presented and programmed by FilmScene and the Bijou Film Board, we take a look back at the films that audiences and critics wrongfully raked over the coals, reevaluating misunderstood masterpieces and cult classics. So take a second (or first) look with the power of hindsight and decide for yourself if you’ll jeer or cheer.

This stunningly photographed, impressionistic psychological portrait of a family and their place within the sublime, unforgiving natural world follows an upscale, urban family whose move to the Mexican countryside results in domestic crises and class friction. By turns entrancing and mystifying, Post Tenebras Lux palpably explores the primal conflicts of the human condition in Mexican auteur Carlos Reygadas’ divisive and poetic meditation on life.